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论抒情诗戏剧性的可能
引用本文:赵伐.论抒情诗戏剧性的可能[J].宁波大学学报(人文科学版),1996(3).
作者姓名:赵伐
摘    要:“诗剧同质”的诗学基础在于这两种体裁的文学作品都离不开“冲突”。作为模仿的艺术,戏剧依靠人物的行动间的冲突来表现它的戏剧性。作为表现的艺术,抒情诗则利用各成份间相互抵牾而形成的矛盾语景来展示自身戏剧性的特征。“戏剧性冲突”不仅是戏剧结构的原则,同时也是抒情诗结构的原则。依靠这一原则,诗歌营造并且克服了自身结构中形式与内容,形式与形式间的诸多矛盾,最终达到主题的统一,形成完美的戏剧性整体。

关 键 词:诗剧同质  戏剧性  冲突  矛盾语景

ON DRAMATICNESS OF POETRY
Zhao Fa.ON DRAMATICNESS OF POETRY[J].Journal of Ningbo University(Liberal Arts Edition),1996(3).
Authors:Zhao Fa
Abstract:The theoretic basis for the homogeny of drama and poetry is that both forms of art cannot exist without "tension". As a mimetic art, drama manifests its dramaticness through the tension between its characters' action, while for poetry, the dramaticness is expressed by dint of the (con) textual tension between various elements in the poetic (con) text. Dramatic tension is a forming principle not only for drama, but also for poetry. Following that principle, poetry entwines and untwines various contentions between its form and content, its form and other forms, and at last unifies them into a perfect dramatic whole.
Keywords:homogeny Of drama and poetry dramaticness tension (con)textual tension  
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