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试论西方现代派的“艺术变形”
引用本文:周晓秋.试论西方现代派的“艺术变形”[J].长沙理工大学学报(社会科学版),2003,18(4):98-100.
作者姓名:周晓秋
作者单位:中南民族大学,文学院,湖北,武汉,430074
摘    要:西方现代派的"艺术变形"已从西方传统文学单纯的、局部的表现技巧上升为一种自觉的、带整体性的创作理念,渗透于文学创作的全过程;它随着创作主体的文学观念、思维模式和观照方式的转变而成为一种必然;它借助具体的艺术技巧,最终以物化形态呈现于文本之中,从而形成一个有别于传统文学的、独特的话语世界,一个审美的变形世界.

关 键 词:西方现代派  艺术变形  创作理念  物化
文章编号:1007-6271(2003)04-0098-03
修稿时间:2003年9月17日

On the Art of Deformation in Western Modernism
ZHOU Xiao-qiu.On the Art of Deformation in Western Modernism[J].Journal of Changsha University of Science & Technology,2003,18(4):98-100.
Authors:ZHOU Xiao-qiu
Abstract:The art of deformation in western modernism has been changed, from the traditional technique of literary expression, into a conscious, holistic theory, which permeates the whole process of literary creation. With the variations of the concept of literature, mode of thinking and way of observation on the part of the writers, it is inevitable to avoid such transformation embodied in the literary text through concrete artistic techniques,so that an aesthetic world of deformed images came into being with its unique modernist anti-traditional discourse.
Keywords:western modernism  art of deformation  creative theory  objectification
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