| 虚实对偶范畴在书法美学中的表现及现代反思 |
| |
| 引用本文： | 孙成武.虚实对偶范畴在书法美学中的表现及现代反思[J].湛江师范学院学报,2010,31(4):133-136. |
| |
| 作者姓名： | 孙成武 |
| |
| 作者单位： | 湛江师范学院,美术学院,广东,湛江,524048 |
| |
| 摘 要： | 虚实对偶范畴从老子的哲学领域和孙子的军事理论借用到书法艺术中,在书法的用笔中表现在执笔的方法和运笔时笔锋和纸面的相互关系中,还涉及到虚腕、虚肘、虚身的说法,在字结构中表现在字内空间要留有空白,在章法中表现在作品整体上的布白处理和空间关系。揭示这一问题,可以提升我们对中国书法的认识,并能为中国书法的未来发展打开一条思考的路径。
|
| 关 键 词： | 虚实 对偶范畴 书法美学 现代反思 |
The Void-Solid Antithesis in Calligraphic Aesthetics: Representation and Reflection |
| |
| SUN Chengwu.The Void-Solid Antithesis in Calligraphic Aesthetics: Representation and Reflection[J].Journal of Zhanjiang Normal College,2010,31(4):133-136. |
| |
| Authors: | SUN Chengwu |
| |
| Institution: | SUN Chengwu (Academy of Fine Arts,Zhanjiang Normal College,Zhanjiang 524048,Guangdong,China) |
| |
| Abstract: | The void-solid antithesis,introduced from Lao Tzu Philosophy and Sun Tzu Tactics into calligraphy,refers to the techniques of writing and the relationship between the stroke and the principal plane,the void of the movement of the wrist,the elbow,and the body.It also refers to the situation of the structure of Chinese characters： the void inside the character,the void in the textual composition and spatial relations.The revelation helps to better understand Chinese calligraphy and to develop Chinese calligraphy in the future. |
| |
| Keywords: | void-solid antithesis calligraphic aesthetics modernist reflections |
| 本文献已被 维普 万方数据 等数据库收录！ |
|
