| 简论中国艺术思维的基本形态 |
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| 引用本文： | 王炳社,赵玲.简论中国艺术思维的基本形态[J].唐都学刊,2006,22(3):140-144. |
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| 作者姓名： | 王炳社 赵玲 |
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| 作者单位： | 1. 渭南师范学院,中文系,陕西,渭南,714000
2. 宝鸡文理学院,中文系,陕西,宝鸡,721007 |
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| 摘 要： | 中国艺术思维的基本形态包括:观察、摹形、情感、想象、象征、整体、妙悟。观察是中国艺术思维的起点之一;人类早期的造型艺术,就是从摹形发展而来的;中国艺术十分强调情感因素;想象是中国艺术的基本形态之一;中国艺术思维具有强烈的象征性;中国艺术历来讲究整体性;妙悟是中国艺术思维的特有现象。
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| 关 键 词： | 观察 摹形 情感 想象 象征 整体 妙悟 |
| 文章编号： | 1001-0300(2006)03-0140-05 |
| 修稿时间： | 2006年2月1日 |
Analysis of the Basic Forms of Chinese Artistic Thought |
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| WANG Bing-she,ZHAO Ling.Analysis of the Basic Forms of Chinese Artistic Thought[J].Tangdu Journal,2006,22(3):140-144. |
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| Authors: | WANG Bing-she ZHAO Ling |
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| Abstract: | Chinese artistic thought includes the following basic forms: observation,modeling,emotion,imagination,embodiment,integration and understanding.Observation is one of the starting points of Chinese artistic thought;the primitive molding art originates from imitating;the Chinese art emphasizes emotion;imagination is one of its basic forms;Chinese artistic thought has a strong embodiment;it pursues integration;understanding is the particular phenomenon of Chinese artistic thought. |
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| Keywords: | observation molding emotion imagination embodiment integration understanding |
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