| 论“诚斋体”形成的诗学渊源 |
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| 引用本文： | 黄之栋.论“诚斋体”形成的诗学渊源[J].阴山学刊,2003,16(4):50-54. |
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| 作者姓名： | 黄之栋 |
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| 作者单位： | 徐州师范大学教育系 江苏 |
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| 摘 要： | “诚斋体”是对杨万里诗歌主导风格的界定,其生成因素是多方面的。从诗学渊源看,江西体、晚唐体、俳谐体是形成诚斋体的三个重要因素。杨万里博学广取,分别对这三种诗歌风格进行了扬弃与重组,构建了别是一家的“杨诚斋体”。
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| 关 键 词： | 杨万里 “诚斋体” 诗学渊源 江西体 晚唐体 俳谐体 |
| 文章编号： | 1004-1869(2003)04-0050-05 |
| 修稿时间： | 2003年2月28日 |
A Research into the Poetic Origin of the Poetry School "Chengzhai Ti |
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| HUANG Zhi - dong.A Research into the Poetic Origin of the Poetry School "Chengzhai Ti[J].Yin Shan Academic Journal,2003,16(4):50-54. |
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| Authors: | HUANG Zhi - dong |
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| Abstract: | Chengzhai Ti", which was the leading poetic style of the great poet Yang Wan - li in the dynasty of Song, was the effect of different factors. From the poetic origin, "Jiangxi Ti", "Wantang Ti" and "Paixie Ti" played important roles. Yang Wanli developed and reconstructed the three styles above and created the peculiar "Yang Chengzhai Ti". |
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| Keywords: | Yang Wanli "Chengzhai Ti" Jiangxi Ti Wantang Ti Paixie Ti |
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