| 自然与自我的和声——中国传统山水画审美思想刍议 |
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| 引用本文： | 赵小若. 自然与自我的和声——中国传统山水画审美思想刍议[J]. 湖南文理学院学报(社会科学版), 2004, 29(6): 42-43,48 |
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| 作者姓名： | 赵小若 |
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| 作者单位： | 赵小若（湖南文理学院,美术系,湖南,常德,415000） |
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| 摘 要： | 中国山水画,在以崇尚"无为自化、清静自正"、听任自然的老庄哲学思想为基础的玄学风气中形成,逐渐确立了简淡、玄远的美感和艺术观,并在历代艺术家不断诠释客体与主体、自然与自我的艺术审美关系的创作过程中,完成了形式与内容的高度统一,成为中国古代绘画的主流.
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| 关 键 词： | 山水画 老庄哲学 与道冥合 天人合一 审美思想 |
| 文章编号： | 1672-6154(2004)06-0042-02 |
| 修稿时间： | 2004-08-27 |
Harmony of Nature and People--On the Aesthetic Thought of Chinese Traditional Landscape Paintings |
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| ZHAO Xiao- ruo. Harmony of Nature and People--On the Aesthetic Thought of Chinese Traditional Landscape Paintings[J]. Journal of Hunan University of Arts and Science:Social Science Edition, 2004, 29(6): 42-43,48 |
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| Authors: | ZHAO Xiao- ruo |
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| Abstract: | Chinese traditional landscape paintings are formed in the metaphysic atmosphere, based on Zhuangzi's philosophic thought of "inaction and peace of mind", which states that we should do nothing that goes against nature. Brief and metaphysic sense of beauty and artistic concepts are gradually set up and the unity of form and content is achieved in the creation process of artists continuously interpreting the artistic aesthetic relationship between object and subject, and nature and people, which is the main stream in ancient Chinese paintings. |
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| Keywords: | landscape paintings Zhuangzi's philosophic thought follow Taoism harmony of nature and people aesthetic thought |
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