| 论词体生成与诗乐结合的文化传统 |
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| 引用本文： | 汪聚应.论词体生成与诗乐结合的文化传统[J].兰州大学学报(社会科学版),2001,29(2):119-125. |
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| 作者姓名： | 汪聚应 |
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| 作者单位： | 陕西师范大学,文学研究所,陕西,西安,710062 |
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| 摘 要： | 探讨词体生成 ,是历来词学研究不可回避的问题 ,但诗源说和乐源说都有偏颇。本文在对四言、五言、七言诗体形成与音乐的关系以及隋唐燕乐歌辞发展的宏观观照中 ,得出词体确立是诗乐离合嬗变发展的产物。从而说明词主要是在音乐的带动和诗乐结合传统的滚动发展以及文人歌伎联手催生等一系列社会文化条件的综合作用下产生的 ,同时也力图对词的含义作出较为科学的界说 ,揭示出我国韵文学发展的某些特殊规律
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| 关 键 词： | 诗乐离合 词体 燕乐歌辞 |
| 文章编号： | 1000-2804(2001)02-0119-07 |
| 修稿时间： | 2000年4月11日 |
On the Cultural Tradition of Word Formation and Combination of Poetry with Music |
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| Abstract: | WT5BZ]:The generation of word form has been an inevitable question in lexicology; however, it is prejudiced to find its origin in either poetry or music. The present paper concluded from the relationship of the formation of four , five , and seven character poems and music as well as from the development of songs for imperial dinners of the Sui and Tang Dynasties that the establishment of word forms results from the combination and transformation of both. The author attempted a more scientific definition for the meaning of words and revealed certain specific rules of development of verse in this country. WT5HZ] |
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| Keywords: | separation and combination of poetry and music word form songs for imperial dinners |
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