| 直觉观照与内心体验——盛唐诗人艺术思维的变化与盛唐山水诗的发展 |
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| 引用本文： | 成松柳.直觉观照与内心体验——盛唐诗人艺术思维的变化与盛唐山水诗的发展[J].云梦学刊,2004,25(4):73-75. |
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| 作者姓名： | 成松柳 |
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| 作者单位： | 长沙理工大学,中文系,湖南,长沙,410077 |
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| 摘 要： | 由于禅宗哲学“本心是佛”、“直觉顿悟”和“以心传心”的独特思维的影响,造成了盛唐诗人艺术思维的变化:由理性认识到直觉体验,由再现到表现。这种重直觉体验、重传神写意的艺术思维使得盛唐山水诗呈现出“物我合一”、“情景交融”的意境,是盛唐山水诗取得了极高艺术成就的重要原因。
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| 关 键 词： | 直觉观照 内心体验 艺术思维 山水诗 |
| 文章编号： | 1006-6365(2004)04-0073-03 |
| 修稿时间： | 2004年4月15日 |
INSTINCTIVE VIEW AND INNER EXPERIENCE:Changes of Artistic Thought in The Poets of Tang and Development of Poems of Mountains and Waters |
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| CHENG Song-liu.INSTINCTIVE VIEW AND INNER EXPERIENCE:Changes of Artistic Thought in The Poets of Tang and Development of Poems of Mountains and Waters[J].Journal of Yunmeng,2004,25(4):73-75. |
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| Authors: | CHENG Song-liu |
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| Abstract: | The influence of special thought of Dhyana philosophy caused the change of the artistic thought in the poet of T'ang. The artistic thought that the poet pay attention to instinctive experience and interest is a important cause of that the poem of mountains and waters in T'ang had gained great artistic achievement,through rational know to instinctive experience,through reproduction to represent. |
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| Keywords: | instinctive view inner experience artistic thought the poem of mountains and waters |
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