| 宗教衰落之后的审美神话--尼采论悲剧的再生 |
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| 引用本文： | 何兰芳. 宗教衰落之后的审美神话--尼采论悲剧的再生[J]. 深圳大学学报(人文社会科学版), 2005, 22(2): 116-121 |
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| 作者姓名： | 何兰芳 |
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| 作者单位： | 中国人民大学,哲学系,北京,100872 |
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| 摘 要： | 在<悲剧的诞生>中,尼采追溯古希腊悲剧的起源,根本目的在于对西方现代性问题进行诊治.西方现代性问题主要是现代启蒙理性所导致的生命的衰弱与文化的分裂.尼采通过对古希腊悲剧的分析、理解,呼吁悲剧精神在现代的再生,以救治欧洲现代文化中的精神赢弱,并由此提出艺术形而上学的理论构想来寻找文化的整合性力量.
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| 关 键 词： | 尼采 现代性问题 悲剧的再生 |
| 文章编号： | 1000-260X(2005)02-0116-06 |
| 修稿时间： | 2004-12-20 |
Nietzsche on the Rebirth of Tragedy |
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| HE Lan-fang. Nietzsche on the Rebirth of Tragedy[J]. Journal of Shenzhen University(Humanities & Social Sciences), 2005, 22(2): 116-121 |
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| Authors: | HE Lan-fang |
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| Abstract: | In the Rebirth of Tragedy, Nietzsche traces the origin of Greek tragedies for the purpose of remedying western problems of modernity such as the weakening of life and division of culture caused by modern enlightenment. Through his analysis of ancient Greek tragedies, Nietzsche calls for the modern rebirth of the spirit of tragedy to salvage the spiritual weakening of the modern European culture and proposes his theory of art abstraction as a means to search for cultural integration. |
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| Keywords: | Nietzsche Western problems of modernitg rebirth of tragedy |
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