| 论法汉诗歌翻译的再创造 |
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| 引用本文： | 段贝.论法汉诗歌翻译的再创造[J].肇庆学院学报,2008,29(4):35-38. |
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| 作者姓名： | 段贝 |
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| 作者单位： | 广东技术师范学院,外国语学院,广东,广州,510665 |
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| 摘 要： | 诗歌翻译要忠实于原作，但这并不意味着译作对原作亦步亦趋，生搬硬套。译者要在原作的制约下发挥主观能动性，进行“再创造”。“再创造”是法汉诗歌翻译中必不可少的手段，而不同的创造形式，又形成了法汉诗歌翻译中忠实性、牺牲性、叛逆性的创造风格。
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| 关 键 词： | 法汉诗歌翻译 再创造 忠实性 牺牲性 叛逆性 |
On the Re-creation of the Translation of French-Chinese Poetry |
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| DUAN Bei.On the Re-creation of the Translation of French-Chinese Poetry[J].Journal of Zhaoqing University (Bimonthly),2008,29(4):35-38. |
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| Authors: | DUAN Bei |
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| Institution: | DUAN Bei (Faculty of Foreign Languages, Guangdong Polytechnic Normal University, Guangzhou Guangdong 510665, China) |
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| Abstract: | Poetry translation should be faithful to the original,but this does not mean that the translation should be followed to the original's tune or rote.The translator plays a subjective initiative to "re-creation" under the constraints of the original."Re-creation" is an essential means of the translation of French-Chinese poetry,but the different forms of creation formed the creation style of faith,sacrifice and treason in translating French-Chinese poetry. |
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| Keywords: | translation of French-Chinese poetry re-creation faith sacrifice treason |
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