Graffiti

Progress is a term subject to considerable popular appeal, postmodernist criticism, feminist ambivalence, and development debate. In this article, I mark the traces of 'progress' as desires expressed by women working on Zimbabwe's commercial farms and in clothing and food processing factories for what they do not have. The backdrop of the discussion is the historical record concerning women workers in Zimbabwe and representations of 'women' that appear in some of Zimbabwe's contemporary imaginative literatures. The research shows that 'progress' emerges in the factual and fictional accounts of 'women' workers of Zimbabwe as aspirations for altered gender meanings and identity.