| 创建表现民族精神和民族灵魂的中国剧--余上沅国剧理论评析 |
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| 引用本文： | 胡博.创建表现民族精神和民族灵魂的中国剧--余上沅国剧理论评析[J].山东师范大学学报(人文社会科学版),2001,46(5):89-92. |
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| 作者姓名： | 胡博 |
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| 作者单位： | 山东大学,文学院,山东,济南,250100 |
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| 摘 要： | 作为对五四"工具论"戏剧观的反思,余上沅的国剧理论指出了戏剧应当艺术地表现社会人生;强调戏剧是综合性的系统工程;尤其是倡导中西戏剧融合以实现戏剧的民族化,创建表现民族精神和民族灵魂的中国剧,并在"国剧运动"实践中取得了一定实绩,对于今天中国戏剧的发展仍然具有启迪意义.
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| 关 键 词： | 余上沅 国剧理论 民族化 国剧 |
| 文章编号： | 1001-5973(2001)05-0089-04 |
| 修稿时间： | 2001年6月26日 |
Creating National Theater to Represent National Heart and Soul--Criticism of Yu Shangyuan's National Theater Theory |
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| Hu Bo.Creating National Theater to Represent National Heart and Soul--Criticism of Yu Shangyuan's National Theater Theory[J].Journal of Shandong Teachers' University(Social Science Edition),2001,46(5):89-92. |
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| Authors: | Hu Bo |
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| Abstract: | As a reaction to the Utilitarian Theater Concept of The May 4th Movement, Yu Shang-yuan's "National Theater Theory" pointed out that the theater should reveal social life artistically and emphasized that the theater was an integrated, systemic construction. Yu initiated "National Theater" to represent national heart and soul, which created from the fusion of Occident Drama and Chinese Traditional Opera. The practice of "National Theater Movement" acquired some success during that time and still has some meaning to today's theater development in China. |
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| Keywords: | Yu Shang yuan national theater theory nationalization national theater |
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