| 论扬雄的文学思想 |
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| 引用本文： | 汪耀明. 论扬雄的文学思想[J]. 太原师范学院学报(社会科学版), 2011, 10(1): 73-77 |
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| 作者姓名： | 汪耀明 |
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| 作者单位： | 复旦大学中文系,上海,200433 |
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| 摘 要： | 扬雄继孟子、荀子之后,明确提出明道、征圣、宗经的文学主张,进一步发展儒家的文学思想,同时吸收道家思想营养,崇尚自然。他论述文与质即内容与形式的关系问题,强调华实相副、事辞相称的观点,发表心声心画、弸中彪外、因循革化的见解。他开始称赞司马相如的辞赋,后来批评汉赋创作中存在的问题;既肯定屈原的高尚品格和司马迁的实录精神,又依经立论,有所异议。
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| 关 键 词： | 扬雄 儒家 文质 评价 |
On Literary Thoughts of Yang Xiong |
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| WANG Yao-ming. On Literary Thoughts of Yang Xiong[J]. Journal of Taiyuan Normal University:Social Science Edition, 2011, 10(1): 73-77 |
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| Authors: | WANG Yao-ming |
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| Affiliation: | WANG Yao-ming(Department of Chinese Language and Literature,Fudan University,Shanghai 200433,China) |
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| Abstract: | Yang Xiong,after Mencius and Xun Tzu,gave an explicit literary assertion of clarifying principles,laying down sages and the Confucian classics as the criterion,which promoted the literary thought of Confucianism.He illustrated the relation of form and essence,or content and formality,and emphasized on the viewpoint of beauty according with reality,fact conforming to diction.At first he commended Sima Xiangru for his poetic essays,and then he offered criticism on the problems exposed in the creation of Han F... |
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| Keywords: | Yang Xiong Confucianism form and essence criticism |
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