| 试论毛泽东诗词含蓄的三种方法 |
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| 引用本文： | 杨景春.试论毛泽东诗词含蓄的三种方法[J].石河子大学学报(哲学社会科学版),2009,23(3):56-58. |
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| 作者姓名： | 杨景春 |
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| 作者单位： | 浙江衢州学院,教育系,浙江,衙州,324000 |
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| 摘 要： | 含蓄是中国传统艺术的一大特色,毛泽东诗词是中国革命和建设的艺术反映,充分体现了这一艺术特色。作者通过句式跳跃和对比烘托以达到含蓄,通过侧面暗示以达到含蓄,通过结句以达到含蓄,让作品的言内之意引申发挥,扩展深化,铸造一个具有"言外之意"的话语空间。
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| 关 键 词： | 毛泽东 诗词 含蓄 |
The Three Veiled Methods of Poems by Mao Zedong |
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| YANG Jing-chun.The Three Veiled Methods of Poems by Mao Zedong[J].Journal of SHIHEZI University(Philosophy and Social Science),2009,23(3):56-58. |
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| Authors: | YANG Jing-chun |
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| Institution: | YANG Jing-chun (Department of Education, Zhejiang Quzhou University, Quzhou 324000, Zhejiang,China) |
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| Abstract: | Implication is a major characteristic of the traditional Chinese art, Mao Zedong＇s poetry is the art reflecting China＇s revolution and construction. The author, through sentence jump, to achieves the subtle contrast and comparison,achieves implication through side hint,achieves implication through sentence unity. By doing everything possible he pursues the implicative characteristic style. Let the inner meaning of the works get a full play, broadened and deepened, casting a ＂reading between the lines＂ of the discourse space. |
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| Keywords: | Mao Zedong poetry implication |
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