| 镣铐下的美丽--论三一律的美学意义 |
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| 引用本文： | 卢普玲,杨正和.镣铐下的美丽--论三一律的美学意义[J].南昌大学学报(人文社会科学版),2004,35(6):137-140. |
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| 作者姓名： | 卢普玲 杨正和 |
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| 作者单位： | 1. 江西师范大学,外国语学院,江西,南昌,330027
2. 江西师范大学,文学院,江西,南昌,330027 |
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| 基金项目： | 2003年江西省高校人文社会科学研究项目"17世纪古典主义文学研究"成果之一(项目批准号:03WX04). |
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| 摘 要： | 17世纪法国古典主义时期出现的三一律创作原则,一直被认为是文学服务于政治的一种体现,在创作上对作家是一种极大的束缚.事实上,三一律作为一种创作原则固然有其外部的社会政治因素,但其自身也体现出内在的美学意义.这种美学意义不仅体现在内容上巨大的舞台张力美,更体现在形式上和谐统一的单纯美.
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| 关 键 词： | 三一律 张力美 单纯美 |
| 文章编号： | 1006-0448(2004)06-0137-04 |
| 修稿时间： | 2004年3月29日 |
Beauty with Shackles--Aesthetic Significance of Three Unities |
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| LU Pu-ling,YANG Zheng-he.Beauty with Shackles--Aesthetic Significance of Three Unities[J].Journal of Nanchang University(Humanities and Social Sciences),2004,35(6):137-140. |
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| Authors: | LU Pu-ling YANG Zheng-he |
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| Institution: | LU Pu-ling~1,YANG Zheng-he~2 |
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| Abstract: | Three Unities,which came into being during the French Classicism in the 17th century,is always (regarded) as fetters for writers.It's a reflection of literature serving politics.In fact,the Three Unities as one kind of writing principles has its intrinsic aesthetic (significance) although its emergence has some political reasons.Such (aestheti)c (significance) is not only embodied in the beauty of the tension on stage for content,but also in the pure beauty of (harmony for) form. |
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| Keywords: | Three Unities beauty of tension beauty of purity |
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