| 论悲剧人物 |
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| 引用本文： | 刘志友.论悲剧人物[J].新疆大学学报(社会科学版),2001,29(3):67-74. |
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| 作者姓名： | 刘志友 |
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| 作者单位： | 刘志友（新疆大学,新疆,乌鲁木齐,830046） |
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| 摘 要： | 直到马克思、恩格斯,悲剧人物论的主流是悲剧人物是有缺陷有过失的人物而不是完美人物;人格分裂导致他行动变异、性格矛盾;牺牲于正面敌人暴力下的不是悲剧人物.<红灯记>不是"大悲剧".80年代悲剧创作更具有美学的自觉性.
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| 关 键 词： | 悲剧人物 特征 马克思主义悲剧理论 |
| 文章编号： | 1000-2820(2001)03-0067-08 |
| 修稿时间： | 2001年4月28日 |
On the Figure of Tragedy |
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| LIU Zhi,you.On the Figure of Tragedy[J].Journal of Xinjiang University,2001,29(3):67-74. |
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| Authors: | LIU Zhi you |
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| Abstract: | Until Marx and Engels , the mainstream of tragedy figures had been that tragedy figure is either at flaw or fault rather than in perfect state; personality disintegration had led to his abnormal behavior and contradictory character; those who sacrificed themselves under the frontal attack of enemy had not been tragedy figures. The Peking opera entitled A Red Signal Lamp is not a major tragedy. In 1980's, tragedy creation owned more aesthetic consciousness. |
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| Keywords: | tragedy figure character Marxist theory on tragedy |
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