| "玩弄碎片,这就是后现代"——略论后现代状况的审美特征 |
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| 引用本文： | 胡健."玩弄碎片,这就是后现代"——略论后现代状况的审美特征[J].渤海大学学报(哲学社会科学版),2003,25(1):59-61. |
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| 作者姓名： | 胡健 |
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| 作者单位： | 淮阴师范学院,中文系,江苏,淮安,223001 |
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| 摘 要： | 论证了后现代艺术不同于现代艺术的若干审美特征 ,认为它是“超美学” ,与晚期资本主义社会的商品化、消费化有直接关系。它体现出后现代认同的工具理性 ,排斥了人文理性与历史理性的特点
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| 关 键 词： | 审美特征 后现代 碎片 |
| 文章编号： | 1001-6333(2003)01-0059-03 |
| 修稿时间： | 2002年9月27日 |
To Play with the Fragment: This Is the Postmodernism--On the Aesthetic Features in the situation of the Postmodernism |
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| HU Jian.To Play with the Fragment: This Is the Postmodernism--On the Aesthetic Features in the situation of the Postmodernism[J].Journal of Bohai University:Philosophy and Social Science Edition,2003,25(1):59-61. |
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| Authors: | HU Jian |
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| Abstract: | This article argues that postmodernism is different from modern art in many aesthetic features, for it is transaesthetics and has something to do directly with the late capitalist commercialization and cosummer-orientation.It shows tool rationality yecognized by postmcderism and rejects historic and humanistic rationality. |
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| Keywords: | aesthetic features postmodernism fragment |
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