| 李渔剧论的观众立场及其贡献 |
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| 引用本文： | 唐德胜. 李渔剧论的观众立场及其贡献[J]. 广州大学学报(社会科学版), 2002, 1(9): 23-27 |
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| 作者姓名： | 唐德胜 |
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| 作者单位： | 广州大学,人文学院,广东,广州,510405 |
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| 摘 要： | 本文以为李渔戏剧理论的中心是观众 ,围绕观众来探讨剧本的创作、演出、戏剧的功能及其发展等是李渔剧论的最大特色。文章指出 :李渔从观众立场出发提出了“机趣”的戏剧功能观 ,并揭示了观众对戏剧艺术发展负有不可推卸的责任。
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| 关 键 词： | 李渔 观众立场 “机趣” 戏剧发展 |
| 文章编号： | 1671-394X(2002)09-0023-05 |
| 修稿时间： | 2002-07-29 |
Li Yu's Dramatics Criticism and Its Contribution: Emphasis on the Audience's Position |
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| TANG De-sheng. Li Yu's Dramatics Criticism and Its Contribution: Emphasis on the Audience's Position[J]. Journal of Guangzhou University(Social Science Edition), 2002, 1(9): 23-27 |
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| Authors: | TANG De-sheng |
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| Abstract: | The author holds that the core of Li Yu's dramatics criticism is the audience importance.His critigues are characterized mostly by the focus on the audience importance while discussing play writing,performance,drama's functions and development.According to the paper,Li Yu proposed an outlook on drama's function known as"follow up the audience random interest",and delineated the indispensable obligation of the audience for the development of dramatics as an art. |
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| Keywords: | Li Yu,the audience's position," follow up the audience random interest" ,development of dramatics |
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