论明七子的文化人格

明前后七子近乎“狂”、“狷”的文化人格 ,标志着他们初步迈开了向自我回归的脚步。但由于理学文化的深入影响和时局的无边黑暗 ,他们还远未达到主体真正自立、个性真正自由的境界。这使得明代文学复古在实质和走向上具有双重性 :从正面说 ,它可以寄托和安顿人们初获释放的主体精神 ;从反面说 ,它又禁锢着人们个性自由的进一步发舒。前后七子内部的文学论争 ,体现的正是这初获释放的主体精神与未曾消解的拘执理念之间的内在矛盾

On The Cultural Personality Of Qizi In Ming Dynasty

Former and later Qizi were arrogant or self will. They began to approach their ego. But the constrain of moral philosophy and the gloominess of the current political situation bound up their individuality. Therefore the movement in literature fields named returning to the acients was full of inconsistency. On the one hand, They could put their capacity to good use. On the other hand, They had to be confined by the code of classical literature.