| 认识素描对于素描观念的再认识 |
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| 引用本文： | 牛乐.认识素描对于素描观念的再认识[J].西北民族大学学报,1998(4). |
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| 作者姓名： | 牛乐 |
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| 作者单位： | 西北民族学院美术系 |
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| 摘 要： | 素描所包含的不仅仅是一种技术，而是整个生命和意识对世界的一种看法和体验，并且可能是造型艺术的原动力和与之相伴的思维方式。解决素描问题应从它的认识入手。素描首先是一种艺术的语言状态。对素描的认识更多属于心理的范畴。对素描的认识论是先于一切方法的首要因素
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| 关 键 词： | 认识 观念 艺术 技术 语言状态 心理 思维方式 原动力 |
Understanding the SketchA Reassessment of the Concept of the Sketch |
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| Niu Le.Understanding the SketchA Reassessment of the Concept of the Sketch[J].Journal of Northwest University for Nationalities,1998(4). |
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| Authors: | Niu Le |
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| Abstract: | The sketch is not merely a technique,but an embodiment of the understanding and view of the world arising from one's whole life and mind's experience.This may be the original motivation and philosophy of Fine Art.To solve the problem of the sketch we should begin with understanding it.First,a sketch is a statement of art. |
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| Keywords: | Understand Concept Art Technique Statement of Art Psychology Mode of thinking Motivation |
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