从汉字演化史论汉字创造对文艺创作心物论的影响

中国汉字从创造到演变都没有脱离"象"之"意",在汉字的演化史中,形成了稳定而鲜明的观物取象、以象生意的思维方式.以文字为基础的文艺创作也不断被这种思维方式所作用,特别是文艺创作"心物"论.文艺创作"心物"论注重心对物之感、意随象而生,这与文字创造的观物取象、以象生意的思维方式一脉相承.同时,心物相感之象在继承汉字创造之象时,又进行了艺术化的创造和发展,虽保持着形象性、具体性,但它不力求反映具体事物的原貌,而是在情感化和审美化方面进行了一种超越.

The influence of Chinese character creation on the mind-matter theory of literary creation from the evolution history of Chinese characters

The creation and evolution of Chinese characters have not been divorced from the habit of creating Chinese characters by observing natural images. Chinese literates'' stable and distinct way of thinking of observing natural images has been formed. It is the way of thinking that has far-reaching impact on literary and artistic creation, especially on the mind-matter theory. The mind-matter theory in literary and artistic creation not only pays attention to literates'' psychological reaction by observing the matters in nature, but also to the literary and artistic creation on the basis of literates'' understanding of matters in nature, which is in line with the thinking mode of the creation of Chinese characters. However, the mind-matter theory in literary and artistic creation has witnessed much more complicated changes and evolutions, compared with the creation of Chinese characters. Although the "images" in the mind-matter theory remain their vividness and concreteness in literary and artistic creation, they do not try to reflect the original representation of concrete matters in reality. On the contrary, they go beyond in emotionalization and aestheticization.