首页 | 本学科首页   官方微博 | 高级检索  
     检索      

论六朝陶瓷艺术的审美取向
引用本文:周玫.论六朝陶瓷艺术的审美取向[J].南京理工大学学报(社会科学版),2007,20(3):1-4.
作者姓名:周玫
作者单位:南京博物院,江苏,南京,210016
基金项目:江苏省文博事业人文社会科学研究课题
摘    要:六朝陶瓷是在一个特定的历史时期创作的作品。以东晋为分界,其艺术风格在前后两个时期具有明显的差别。这一差异是由两个历史时期不同的审美取向所造成的:三国、西晋时期的陶瓷艺术直接继承的是汉文化因素,即以神学为主要审美取向;东晋、南朝时期的陶瓷艺术衔接了魏晋玄学思潮的影响,在艺术风格上以简约、幽雅,以及瘦骨清像的人物创作形象作为审美取向。

关 键 词:艺术  六朝陶瓷艺术  审美取向

The Aesthetic Direction of the Ceramics Art in the Six Dynasties
Zhou Mei.The Aesthetic Direction of the Ceramics Art in the Six Dynasties[J].Journal of Nanjing University of Science and Technology(Social Science),2007,20(3):1-4.
Authors:Zhou Mei
Abstract:The ceramics of the Six Dynasties were the works created in the special historical period.Their art styles had distinctively differences between the two periods before the Eastern Jin Dynasty and after.The differences were caused by the distinctive aesthetic directions in the two historical periods.The ceramics art works of the Three Kingdoms and the Western Jin Dynasty directly inherited the factors of the Han Culture,namely,the main aesthetic direction for the theology.The ceramics art works of the Eastern Jin Dynasty and the Southern Dynasties carried on the influence of the Xuanxue in the Three Kingdoms and the Jin Dynasties,their art styles were concise and tasteful and their characterizations were slim and delicate.
Keywords:ceramics of the Six Dynasties  art works  aesthetic directions
本文献已被 CNKI 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号