| “狂欢化”理论与电影叙事 |
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| 引用本文： | 陈阳. “狂欢化”理论与电影叙事[J]. 中国人民大学学报, 2007, 0(3) |
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| 作者姓名： | 陈阳 |
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| 作者单位： | 中国人民大学文学院 |
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| 摘 要： | 俄罗斯文论家巴赫金的“狂欢化”诗学理论,开辟了狂欢节仪式与文学艺术体裁的形成与发展关系这一研究视角。狂欢仪式本身对于民众富于影响的特征,以及通过这种仪式引发有关世界思考方式的变化,对电影叙事发展的研究极具启发价值。电影在诞生之初就具有狂欢节变体的特点,“庄谐”同一又是其发展至今的一个基本特征。
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| 关 键 词： | 狂欢化理论 电影 叙事 |
"Carnivalization" Theory and Film Narration |
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| CHEN Yang. "Carnivalization" Theory and Film Narration[J]. Journal of Renmin University of China, 2007, 0(3) |
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| Authors: | CHEN Yang |
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| Abstract: | Poetic theory of "Carnivalization" by Russian literary critic Bakhtin advances a research perspectives of the relationship between carnival ceremony and literary style formation and development.Both the characteristics of carnival ceremony's extensive influence on mass and the changes of ways of thinking the ceremony brings about have greatly enlightened the research of film narration development.From the very beginning film have the features of carnival's variants,and "solemnity in humor" is a basic characteristic in its development. |
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| Keywords: | carnivalization theory film narration |
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