| 再论中国绘画价值观的演变 |
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| 引用本文： | 王波.再论中国绘画价值观的演变[J].长江大学学报(社会科学版),2007,30(2):102-103. |
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| 作者姓名： | 王波 |
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| 作者单位： | 湖南工业大学,包装设计艺术学院,湖南,株洲,412008 |
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| 摘 要： | 中国先秦两汉时期绘画价值观追求的是认识功能和伦理教育,至魏晋南北朝时期,画论价值观转向审美。关于这一转变的原因,以往论者都集中在社会风气和思潮变化的讨论上,但是我们认为,除此以外,还有一个直接的原因,就是画论提出者由以往的思想家、哲学家、统治阶级而转换为艺术家本人。
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| 关 键 词： | 画论 伦理 审美 价值观 |
| 文章编号： | 1673-1395(2007)02-0102-02 |
| 修稿时间： | 2007年3月10日 |
Rediscussion on the Change of Chinese Drawing Value |
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| WANG Bo.Rediscussion on the Change of Chinese Drawing Value[J].Journal of Yangtze University:Social Sciences,2007,30(2):102-103. |
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| Authors: | WANG Bo |
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| Abstract: | In pre-Qin and Han Dynasty,the value of drawing emphasized knowledge function and ethic education.While in Wei,Jin,Nan and Bei Dynasty,it turned to aesthetics.Critics had sense that the transformation of this trend was the results of the change of social mood and the trend of thought.But in our opinion,the direct reason of this transformation is that the identities of those drawing critics had a great change from thinkers,philosophers and dominant class to artists. |
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| Keywords: | theory of drawing ethic aesthetics the idea of value |
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