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胡曾《咏史诗》的“通俗”艺术
引用本文:潘晓玲,赵望秦.胡曾《咏史诗》的“通俗”艺术[J].长安大学学报(社会科学版),2009,11(2):66-69,102.
作者姓名:潘晓玲  赵望秦
作者单位:陕西师范大学,文学院,陕西,西安,710062
摘    要:为了客观地评价晚唐诗人胡曾的《咏史诗》,对它的“通俗”性进行了深入分析。分析认为,“通俗”作为胡曾《咏史诗》最突出的艺术特性,既成就了它在蒙学史、文学史上的地位,又使其成为后世恪守雅文化传统者围歼的口实,使其在后世的传播过程中影响渐趋微弱,以致于无。分析结果表明,“通俗”造成的诗歌本身不可克服的艺术缺陷是其影响力渐小的内部原因,而社会教育水平的发展、受众心理的变化、小说文体的发展等,则是其影响力萎缩的外部原因。

关 键 词:胡曾  《咏史诗》  通俗  双面性

Creative arts about HU Zeng yongshi poet
PAN Xiao-ling,ZHAO Wang-qin.Creative arts about HU Zeng yongshi poet[J].Journal of Chang'an University(Social Sciences Edition),2009,11(2):66-69,102.
Authors:PAN Xiao-ling  ZHAO Wang-qin
Institution:( School of Chinese Literature, Shaanxi Normal University, Xi'an 710062, Shaanxi, China)
Abstract:In order to objectively evaluate Yongshi Poet which was written by the late Tang Dynasty poet HU Zeng, this paper analyzes its popularity deeply. As the most outstanding feature of HU Zeng yongshi poet, popularity bring out the status in the history of education of children and literature, it was also scolded strictly by the people who abided by the elegant cultural traditions. This caused its influence becoming smaller and smaller in the future generations. The self-defect of art and the developments in environmental education, the changes of social function, the development of novel style is the within and external factors of its failure.
Keywords:HU Zeng  yongshi poet  popularity  two-sided nature
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