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论作为新诗症候的晦涩诗学
引用本文:徐慧慧.论作为新诗症候的晦涩诗学[J].宁波大学学报(人文科学版),2009,22(5):28-32.
作者姓名:徐慧慧
作者单位:浙江旅游职业学院,浙江,杭州,311231
摘    要:晦涩诗学的提出主要以现代主义诗歌的晦涩风格为中心和契机,由此展开三个相互独立又同构的组成部分,即:新诗晦涩风格的内在形成机制;社会文化学因素在创作审美各方面对人的影响;审美接受的多义性及解诗学的建构等。其中,内在形成机制包括诗歌创作以潜意识为表现对象、使用狂欢化的语言艺术和“诗的思维术”三个方面。“晦涩风格”是新诗现代化变革的主要建设力量和成就所在。

关 键 词:晦涩  晦涩诗学  晦涩风格  新诗症候

On the Ambiguity Poetics as a Phenomenon of Chinese New Poetry
XU Hui-hui.On the Ambiguity Poetics as a Phenomenon of Chinese New Poetry[J].Journal of Ningbo University(Liberal Arts Edition),2009,22(5):28-32.
Authors:XU Hui-hui
Institution:XU Hui-hui ( Zhejiang Tourism College, Hangzhou 311231, China )
Abstract:Ambiguity poetics is proposed based on the ambiguity style of modernist poetry. It has three independent-andisomorphic parts: the mechanism how ambiguity style is developed; the influence of social and the cultural elements on people; the polysemy in poem aesthetics and the structure of Chinese poem deconstruction. The first part also includes three aspects: subconsciousness as subject for creation, revelry language and poetic thinking. Ambiguity poetics is the main force and achievement in modern transformation of new poetry.
Keywords:Ambiguity  Ambiguity Poetics  Ambiguity Style  Phenomenon of Chinese New Poetry
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