| 现象学视野下的具象表现绘画与《逍遥游》 |
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| 引用本文： | 周锧.现象学视野下的具象表现绘画与《逍遥游》[J].盐城工学院学报(社会科学版),2014,27(3):78-81. |
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| 作者姓名： | 周锧 |
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| 作者单位： | 湖南第一师范学院美术系,湖南长沙,410205 |
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| 基金项目： | 湖南第一师范学院院级课题研究成果 |
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| 摘 要： | 《逍遥游》是《庄子》的总论，集中体现了庄子对精神自由的祈向。《逍遥游》有三个方面的思想：至人无己；拔俗；无用之用。通过解读《逍遥游》文本，力图挖掘其对于当代中国具象表现绘画艺术的某些启示。首先论述画家如何通过“待道”的途径实现“无待”，达到至人无己的生命境界。其次论述艺术沦为俗务的种种表现以及拔俗对于具象表现绘画的重要性。最后论述了将具象表现绘画树之于无何有之乡，实现其无待逍遥游。
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| 关 键 词： | 具象表现 逍遥游 至人无己 拔俗 无用之用 |
Phenomenology Figurative Painting and Performance Perspective "Wandering Freely" |
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| ZHOU Zhi.Phenomenology Figurative Painting and Performance Perspective "Wandering Freely"[J].Journal of Yancheng Institute of Technology,2014,27(3):78-81. |
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| Authors: | ZHOU Zhi |
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| Institution: | ZHOU Zhi (Fine Arts Department, Hunan First Normal University, Changsha Hunan 410205, China) |
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| Abstract: | ＂ Wandering freely＂ the pandect of the ＂Zhuangzi＂, it epitomizes the spirit of freedom Zhuangzi pray to. ＂Wandering freely＂ thinking existing in three aspects： no perfect man himself; pull vulgar; Useless. By interpreting the ＂Wandering freely＂ text, trying to tap some of its inspiration to the performance of contemporary Chinese painting figurative art. Firstly, discusses how the way the artist ＂to be way＂ to achieve ＂no subject＂ to reach the perfect man has no life realm. Secondly, discussed vulgar manifestations of art and the importance of pulling vulgar expression for figurative paintings become. Finally, discusses the performance of the figurative painting without any tree in the township have to realize it has no pending getawavs. |
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| Keywords: | concrete presentation carefnree excursion the perfect man has no self pull the vulgar the use of useless |
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