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论《古诗十九首》的悲怨情调及其文化意蕴
引用本文:邵之茜.论《古诗十九首》的悲怨情调及其文化意蕴[J].西安电子科技大学学报(社会科学版),2003,13(4):107-111.
作者姓名:邵之茜
作者单位:陕西教育学院,中文系,陕西,西安,710061
基金项目:陕西教育学院科研基金(01KJ002)
摘    要:《古诗十九首》不仅以其圆熟自然的艺术表现手法代表了汉代文人五言诗创作的最高成就,而且以其摄人心魄的悲凉哀怨情调引起了读者的强烈共鸣。本文从理想与现实的冲突和失意与执意的矛盾两方面分析了作者的悲慨心态及诗歌悲怨感伤情调形成的原因,并揭示了儒家文化在特定时代的表现形式。

关 键 词:《古诗十九首》  悲怨情调  儒家文化
文章编号:1008-472X(2003)04-0107-05
修稿时间:2003年11月15

On Sorrowful and Resentful Tones and Cultural Implications in NINETEEN ANCIENT POEMS
SHAO Zhi-qian.On Sorrowful and Resentful Tones and Cultural Implications in NINETEEN ANCIENT POEMS[J].Journal of Xidian University (Social Sciences Edition),2003,13(4):107-111.
Authors:SHAO Zhi-qian
Abstract:With its perfect and natural artistry, NINETEEN ANCIENT POEMS not only represents the zenith of the Five-Character-Poem created by men of letters during the Han Dynasty, bust also gets a strong response among the readers with its enthralling sorrowful and resentful tones. From the conflict between ideal and reality, and the contradictoriness between frustration and persistence, this paper analyses the resentful mentality of the poets and the cause of the sorrowful and sentimental tones, and reveals the manifestation of Confucianism in that particular times.
Keywords:NINETEEN ANCIENT POEMS  sorrowful and resentful tone  Confucianism  
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