| “镜像”映照下女性的“自我”构建——电影《嘉年华》的女性主义阐释 |
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| 引用本文： | 胡晋博,田义贵.“镜像”映照下女性的“自我”构建——电影《嘉年华》的女性主义阐释[J].成都大学学报(社会科学),2021(2):69-76. |
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| 作者姓名： | 胡晋博 田义贵 |
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| 作者单位： | 中国传媒大学 戏剧影视学院,北京 100024;西南大学 文学院,重庆 400715 |
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| 基金项目： | 国家社科基金艺术学项目"文化公平语境中的电影生态发展研究" |
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| 摘 要： | 电影《嘉年华》以女童性侵案为视点,将几位女性的命运融入其中,描绘了当下女性的生存状态,具有浓厚的女性主义意识。本文以《嘉年华》中三位女主人公小米、小文、新新为对象,以拉康的镜像理论切入,具体分析当下男权社会女性被无意识"凝视"的关系,以及女性如何在被"凝视"的关系中构建"自我"。该电影显示了导演的匠心,这为女性主义电影与电影未来发展提供了有益的理论启示。
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| 关 键 词： | 《嘉年华》 镜像理论 凝视 女性主义 理论启示 |
The Construction of Female's Self-identity under the Mirror Reflection——The feminism interpretation on the film Angels Wear White |
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| HU Jinbo,TIAN Yigui.The Construction of Female's Self-identity under the Mirror Reflection——The feminism interpretation on the film Angels Wear White[J].Journal of Chengdu University (Social Science),2021(2):69-76. |
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| Authors: | HU Jinbo TIAN Yigui |
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| Institution: | (School of Film and Cinematic Arts,Communication University of China,Beijing,100024;School of Literature,Southwest University,Chongqing,400715) |
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| Abstract: | The film Angels Wear White takes the case of the girl child sexual abuse as the point of view,integrates the fate of several girls into it,depicts the survival state of women at present,and has a strong feminism consciousness.This paper takes the three heroines Xiaomi,Xiaowen,and Xinxin in Angels Wear White as the objects,and uses Jacques Lacan s mirror image theory to analyze the relation of women s being gazed at unconsciously in the patriarchal society,and how women construct their self-identities in the relationships of being gazed.The film Angels Wear White shows the ingenuity of the director,which provides good theoretical enlightenment for the feminist film and its future development. |
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| Keywords: | Angels Wear White mirror image theory gaze feminism theoretical enlightenment |
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