| 女性通俗小说的历史差异与创作特色 |
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| 引用本文： | 沈倩倩.女性通俗小说的历史差异与创作特色[J].徐州工程学院学报（社会科学版）,2011,26(3):46-49. |
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| 作者姓名： | 沈倩倩 |
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| 作者单位： | 南京大学信息管理系，江苏南京,210093 |
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| 摘 要： | 作为社会文明的一种独立存在和文化表达,应该说真正的女性文学是以五四新文化运动为发端。尤其是作为俗文学题材之一的通俗小说,在发轫初期难以摆脱男性话语的影响,女性作家群也在不断探索由报人向小说家身份的转换,女性在通俗小说的创作上力量显得薄弱。直至20世纪八九十年代以后,随着新的女性创作主体的涌现与创作思维的膨胀,在叙述视角、文本类型、媒介传载、表现手法等各个方面都有了新的突破,这是当代消费与审美理念的提升,也是创作与出版文化的勃兴。
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| 关 键 词： | 通俗小说 女性书写 网络文学 |
A Study of the Peculiar Characteristics of Female Popular Novels |
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| SHEN Qian-qian.A Study of the Peculiar Characteristics of Female Popular Novels[J].Journal of xuzhou Institute of Technology(Social Sciences Edition),2011,26(3):46-49. |
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| Authors: | SHEN Qian-qian |
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| Institution: | SHEN Qian-qian(Department of Information Management,Nanjing University,Nanjing 210093,Jiangsu,China) |
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| Abstract: | Feminine literature in the true sense only started after the May Fourth New Culture Movement.At the early stages of its development,feminine writing,especially popular novels,was not free from the influence of male discourse.The contemporary female authors still managed to make the transition from journalists to novelists though weak in power.It was not until after the 1980s and 1990s of the 20th century that women writers broke through in narrative perspective,type of texts,medium,representation methods,which represents an elevation of consumption and aesthetic concepts and a booming of writing and publishing. |
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| Keywords: | popular novels women writing net literature |
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