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李开先曲论之贡献
引用本文:刘恒.李开先曲论之贡献[J].齐鲁学刊,2009(6).
作者姓名:刘恒
作者单位:南京大学,中文系,江苏,南京,210093
摘    要:作为明嘉靖年间著名的曲学家,李开先的戏曲理论在中国戏曲批评史上占有重要地位。在戏曲功能方面,他认为戏曲是抒发悲涕慷慨抑郁不平之衷的工具,对戏曲功利观不无匡正;在戏曲本体论方面,他认为戏曲源远流长,南北有别,文辞尚俗,崇尚金元,对戏曲本色论有推波助澜之功;在戏曲演出上,重视演员、乐工、伴奏乐器对戏曲表演所起的重要作用,对强调场上之曲有所裨益。

关 键 词:李开先  曲论  言情说  尚俗  舞台记载

The contribution of Li Kaixian's Operatic Criticism
Liu Heng.The contribution of Li Kaixian's Operatic Criticism[J].Qilu Journal,2009(6).
Authors:Liu Heng
Abstract:As a famous opera specialist,Li Kaixian's Operatic Criticism has an important position in the Operatic Criticism history.His Operatic Criticism includes three parts:First,he had an opinion that the opera was an tool to express feelings;Second,he regarded that the Opera had a long history,there were ifferences between North and South,and the Language of the opera should be Popular;Third,opera was not only paper Literature,the actor,the music and the Musical instruments aslo palyed the important role.
Keywords:Li Kai-xian  operatic criticism  feeling-expressing  popular language  stage
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