| 论门神画及其艺术特征 |
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| 引用本文： | 王红英.论门神画及其艺术特征[J].河南大学学报(社会科学版),2002,42(3):130-132. |
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| 作者姓名： | 王红英 |
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| 作者单位： | 河南大学,艺术学院,河南,开封,475001 |
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| 摘 要： | 门神画源远流长 ,在我国民间美术中占有重要的位置。其种类繁多 ,大体可归纳为将军、福神、天仙、童子四大类型 ,具有构图饱满、夸张变形、装饰性强、色彩艳丽等特点。它扎根于人民群众之中 ,在长期发展中形成了朴实、优美的风格和浓郁的乡土色彩 ,是不可忽视的民间艺术瑰宝
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| 关 键 词： | 门神画 民间艺术 特征 |
| 文章编号： | 1000-5242(2002)03-0130-03 |
| 修稿时间： | 2002年2月28日 |
Menshen Picture and Its Artistic Features |
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| WANG Hong-ying.Menshen Picture and Its Artistic Features[J].Journal of Henan University(Social Science),2002,42(3):130-132. |
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| Authors: | WANG Hong-ying |
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| Abstract: | Menshen (Door God who guards the doors) picture plays a very important role in the folk art in our country. It is rooted in the people and it is the reflection of the people's minds and the appreciation of its beauty and the beautification of the people's life and is very popular with people. The Menshen picture is simple and beautiful in style and rich in country colors and a treasure of the folk art in the world. |
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| Keywords: | Menshen picture folk art feafures |
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