| 董其昌的绘画笔墨语言 |
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| 引用本文： | 华枫.董其昌的绘画笔墨语言[J].南京林业大学学报(人文社会科学版),2002,2(1):56-60. |
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| 作者姓名： | 华枫 |
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| 作者单位： | 江南大学中文系,江苏,无锡,214063 |
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| 摘 要： | 本文分析了晚明画家董其昌绘画的笔墨语言的特点。他借鉴禅宗的思维方式 ,成功地实现了对传统的整合与超越 ,在对传统的融会中达到了个人画风的新变 ,并在此基础上全面地将书法性笔墨引入绘画 ,使笔墨脱离自然而获得独立的审美价值
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| 关 键 词： | 董其昌 笔墨语言 悟入 超出 禅宗式思维 文人画 |
| 文章编号： | 1671-1165(2002)01-0056-05 |
| 修稿时间： | 2001年9月4日 |
On DONG Qi-chang's Drawing and the Thought of Dhyana |
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| HUA Feng.On DONG Qi-chang''''s Drawing and the Thought of Dhyana[J].Journal of Nanjing Forestry University(Humanities and Social Sciences Edition),2002,2(1):56-60. |
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| Authors: | HUA Feng |
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| Abstract: | This paper examines the interrelationship between Dong Qi chang's drawing and the thought of Dhyana.He acquired new technique of his own through learning from his seniors and borrowing from the thought of Dhyana.Besides,he combined calligraphy with drawing,which made his painting possess high aesthetic value. |
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| Keywords: | DONG Qi chang language of Chinese painting comprehension transcend thought of Dhyana literati painting |
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