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中国古典美学的思维方式及其现代意义(下)
引用本文:姚文放.中国古典美学的思维方式及其现代意义(下)[J].求是学刊,2001,28(2):75-79.
作者姓名:姚文放
作者单位:扬州大学,师范学院中文系,江苏,扬州,225000
摘    要:中国古典美学比较突出地体现着东方式的思维方式 ,包括中和思维、类比思维、整体思维、圆形思维等。研究中国古典美学的思维方式说到底仍是为了发掘其现代意义 ,为建设现代美学体系提供必要的思想资源。中国古典美学的思维方式对于美学研究中某些思维片面性具有防范作用 ,对于美学研究方法的某些欠缺之处具有弥补和完善的意义 ,而其中某些富于生命力的因素也可以整合到美学研究的现代思维之中

关 键 词:古典美学  思维方式  中和思维  类比思维  整体思维
文章编号:1000-7504(2001)02-0075-05
修稿时间:2000年5月20日

The Classical Aesthetic Way of Thinking in China and its Modern Significance(2nd)
YAO Wen-fang.The Classical Aesthetic Way of Thinking in China and its Modern Significance(2nd)[J].Seeking Truth,2001,28(2):75-79.
Authors:YAO Wen-fang
Abstract:Classical Chinese aesthetics predominantly embodies the oriental way of thinking, consisting of neutral thinking, analogous thinking, integration thinking, and circular thinking, etc. In the final analysis, the objectives of researches in classical Chinese aesthetics are to explore its modern significance to provide necessary resources of ideas for the construction of a modern aesthetic system. The way of thinking in classical Chinese aesthetics not only plays preventive roles against partiality of thinking in the studies of aesthetics but are also of supplementing and perfecting significance for some of the inadequacies in the aesthetic research approaches. And some of the vital elements can also be integrated into the modern thinking of aesthetic researches.
Keywords:classical aesthetics  way of thinking  neutral thinking  analogous thinking  integration thinking  
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