| 试析朱光潜和钱锺书对于莱辛“诗画异质说”的比较 |
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| 作者单位： | 中国人民大学文学院 |
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| 摘 要： | 莱辛的《拉奥孔》专论“诗画异质”,成为西方近代文学批评的重要开端。朱光潜和钱锺书都以莱辛《拉奥孔》“诗画异质论”为契机,展开了各具特色的中西比较诗学研究。从比较学上看,莱辛《拉奥孔》对于“诗”和“画”之间的跨学科研究本身属于比较性质,而由《拉奥孔》引发的朱光潜的《诗论》和钱锺书的《读〈拉奥孔〉》则堪称中西比较诗学研究的典范。本文从比较学的研究视角出发,展开朱光潜和钱锺书对于莱辛“诗画异质说”的比较分析,并就其中涉及的理论话题提出自己的看法。
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| 关 键 词： | 朱光潜 钱锺书 诗画异质 比较 |
Comparative Research of Lessing's "the Limits of Painting and Poetry" by Zhu Guang-qian and Qian Zhong-shu |
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| Authors: | FAN Fang-jun |
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| Abstract: | In the history of the world arts,the comparative research of the limits of painting and poetry goes back to ancient times.In the West,Laessing's "Laocoon" became the beginning of modern criticism;In China,Zhu Guang-qian and Qian Zhong-shu advanced related research of Lessing's "Laocoon:An essay on the limits of Painting and Poetry".This text will lead us a comparative research between Zhu Guang-qian and Qian Zhong-shu. |
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| Keywords: | Zhu Guang-qian Qian Zhong-shu the limits of painting and poetry compare |
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