| 论家族叙事的悲剧化与喜剧化 |
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| 引用本文： | 叶永胜. 论家族叙事的悲剧化与喜剧化[J]. 石河子大学学报(哲学社会科学版), 2008, 22(1): 61-64 |
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| 作者姓名： | 叶永胜 |
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| 作者单位： | 安徽师范大学,文学院,安徽,芜湖,241000 |
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| 摘 要： | 中国的家族叙事大多采取悲剧化的格调,展现人物在悲剧情境中的生命抗争。由于题材和中国文化的性质,家族悲剧性叙事呈现悲而不伤、怨而不怒等审美特征。在少数文本中,喜剧性的手法揭示了旧家族的荒诞与崩溃的必然,特别在先锋叙事中,对父辈的降格叙述表明了伦理与家族叙事的革命。
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| 关 键 词： | 家族叙事 悲剧化 喜剧化 |
| 文章编号： | 1671-0304(2008)01-0061-04 |
| 修稿时间： | 2007-10-10 |
On the Saga Novels of Tragic and Comic Narration |
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| YE Yong-sheng. On the Saga Novels of Tragic and Comic Narration[J]. Journal of SHIHEZI University(Philosophy and Social Science), 2008, 22(1): 61-64 |
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| Authors: | YE Yong-sheng |
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| Affiliation: | YE Yong-sheng (College of Liberal Arts, Anhui Normal University, Wuhu, Anhui 241000, China) |
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| Abstract: | The saga novels of China narration are mostly in the way of tragedy. They display people＇ s resistance and combat against tragedy circumstances. The novels show the feature of resentment without rage. In a few novels, the authors use comic narration and uncover preposterous essences of the old system. It is a revolution of narration. |
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| Keywords: | Saga novel tragic narration comic narration |
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