"启蒙理性的审美置换"——论《哦,香雪》、《没有纽扣的红衬衫》的现代性及其文学史地位

以新时期初期的文学实践为背景,从现代性的视野中考察铁凝作为启蒙知识分子身份认同及其创作,可以揭示在80年代特殊的历史时刻和政治意识形态空间中,铁凝与其他知识分子由于身份、代际和经历不同所造成的不同的文学话语和意义。铁凝初期创作中以强烈的知识分子主体意识和理性启蒙精神,通过对少女香雪、安然的塑造建构了真正意义上现代性的独立人格和自我主体形象,使《哦,香雪》、《没有纽扣的红衬衫》在新时期文坛首先发出了“立人”的声音,并以其独特的艺术美感开启了新时期文学“个人化”叙事的源头。

An Aesthetic Repltacement of Enlightenment Reason: Views on Modernity of Xiang Xue and The Red Shirt Without Button and Their Position in Literary History

An analysis of such enlightenment intellectuals as Tie Ning as well as her identity and fiction in terms of modernity under the context of the early "New Period" will reveal the different literary discourses and implication formed by Tie Ning and other writers as a result of their different identities,generations and experiences with the 1980's particular historical moment and ideological dimension.In her early works,Tie Ning characterizes Xiang Xue and An Ran with a strong intellectual subjective consciousness and Enlightenment,and thus created characters with independent and modernistic personality and self-subjectivity in the true sense of the expression.What is more,her Xiang Xue and The Red Shirt without Button initiate a source about individual narration.