| 论"心学"思想在刘辰翁诗歌创作理论中的体现 |
| |
| 引用本文： | 孔妮妮.论"心学"思想在刘辰翁诗歌创作理论中的体现[J].合肥学院学报(社会科学版),2007,24(2):54-57. |
| |
| 作者姓名： | 孔妮妮 |
| |
| 作者单位： | 上海教育出版社高等教育编辑室,上海,200031 |
| |
| 摘 要： | 在“心学”的影响下,南宋中后期的大批士人开始以一种“自作主宰”的美学观点来审视处于独立状态下的诗歌创作。在诗歌创作理论和诗歌评点领域,刘辰翁大胆引入了“直致心辞”、“尤贵情真”等诗歌点评标准,并在对杜甫、李贺、王安石等著名诗人的诗歌评点过程中创立了自己独特的诗歌审美方式,为元、明、清及近代的诗歌评点奠定了基本范式。
|
| 关 键 词： | 刘辰翁 心学 真情 诗歌评点 |
| 文章编号： | 1672-920X(2007)02-0054-04 |
| 修稿时间： | 2006年9月11日 |
On the Embodiment of Xin Xue in Liu Chenweng's Poetic Creation Theories |
| |
| KONG Ni-ni.On the Embodiment of Xin Xue in Liu Chenweng's Poetic Creation Theories[J].Journal of Hefei University:Social Sciences,2007,24(2):54-57. |
| |
| Authors: | KONG Ni-ni |
| |
| Abstract: | In the middle of Southern Song dynasty, the thriving trend of Xin Xue started when the scholars and writers pursued the aim of self-domination in the field of poetic creation.Liu Chenweng,as one of the important representatives,boldly put forward the criteria of "true disposition,true heart and true feelings" for poetic creation and aesthetics.He established his own mode of poetry review in commention of poems by Du Fu,Li He,Wang Anshi,which was taken as the basic paradigm in Yuan,Ming,and Qing dynasties as well as the modern period. |
| |
| Keywords: | Liu Chenweng Xin Xue true disposition poetry review |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
