| 敦煌唐代飞天帔帛造型审美分析 |
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| 引用本文： | 王宏伟.敦煌唐代飞天帔帛造型审美分析[J].北京理工大学学报(社会科学版),2009,11(4):102-104. |
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| 作者姓名： | 王宏伟 |
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| 作者单位： | 1.中央民族大学美术学院, 北京 100081 |
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| 摘 要： | 敦煌飞天是中国飞天艺术的代表，其中唐代飞天所披帔帛造型婉转流畅，是其最突出的特色。飞天及其帔帛的艺术造型渗透了中国传统艺术审美的精神内涵，彰显了华夏民族造型艺术的精髓，也为现代艺术造型和设计提供了有益的借鉴。
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| 关 键 词： | 飞天 帔帛 传统审美 |
| 收稿时间： | 2009/1/13 0:00:00 |
An Esthetic Analysis of the Pibo of Dunhuang Flying Fairy in the Tang Dynasty |
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| WANG Hong-wei.An Esthetic Analysis of the Pibo of Dunhuang Flying Fairy in the Tang Dynasty[J].Journal of Beijing Institute of Technology(Social Sciences Edition),2009,11(4):102-104. |
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| Authors: | WANG Hong-wei |
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| Institution: | 1.Fine arts academy, Central University of Nationalities, Beijing 100081 |
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| Abstract: | Dunhuang Flying Fairy is the representative of Chinese flying fairy artistic forms,among which the Pibo of Flying Fairy done in the Tang Dynasty,with its graceful shape,shows the most distinguished feature.The art form of flying fairy and its Pibo are permeated with the spirit of traditional Chinese aesthetic,which presents the essence of plastic art of Chinese nation and benefits the modern plastic art. |
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| Keywords: | flying fairy pibo traditional esthetic |
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