| 论《女神》作者的世界故乡情结 |
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| 引用本文： | 陈鉴昌. 论《女神》作者的世界故乡情结[J]. 西华大学学报(哲学社会科学版), 2007, 26(5): 23-26 |
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| 作者姓名： | 陈鉴昌 |
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| 作者单位： | 西华大学人文学院,四川成都,610039 |
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| 摘 要： | 由现代社会物质生产和精神生产的"世界性"所决定,人们的乡土观念也"成为世界性的了"。郭沫若的代表诗集《女神》等,便是袒露"世界故乡情结"的佳构,其内涵主要包括:眷恋中国"第一故乡",热爱日本"第二故乡",讴歌世界"大同故乡"。这样的世界乡情诗,在加速改革开放、面向世界的今天,更有其强烈的借鉴意义。
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| 关 键 词： | 《女神》作者 乡土文化观 世界故乡情结 |
| 文章编号： | 1672-8505(2007)05-0023-04 |
| 修稿时间： | 2007-08-21 |
On the Global Hometown Complex of the Author of Goddess |
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| CHEN Jian-chang. On the Global Hometown Complex of the Author of Goddess[J]. Journal of Xihua University:Philosophy & Social Sciences, 2007, 26(5): 23-26 |
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| Authors: | CHEN Jian-chang |
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| Abstract: | The localization has gradually developed into the globalization with modern material and spiritual civilization.The masterpiece poetry anthology: Goddess by Guo Moruo,represents such a global hometown complex.It covers: feeling nostalgic about China-"first home",loving Japan-"the second homeland",and eulogizing the whole world-"hometown of universal harmony." Guo's global hometown complex embodies referent significance in accelerating reform and opening up of China. |
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| Keywords: | the author of Goddess local culture global hometown complex |
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