《藤花亭曲话》简论

梁廷柟是晚清一位比较有影响的曲论家 ,其《藤花亭曲话》体现出将戏曲艺术引导归复到正统文学阵营的“雅”化倾向 :认为戏曲应该在“有功世道”方面体现价值 ;在文词方面则要求含蓄典雅 ,力忌鄙俗 ;戏曲故事只要符合伦常义理与生活逻辑就可以虚构 ;情节关目的设置则要以“奇”为标准。在封建社会晚期这一大文化背景之下 ,戏曲理论创新的空间日益狭小 ,复归与集成正是主流所在。

A Brief Study of Comments on Teng Hua Ting Qu

Liang Ting Nan was an influential opera theorist in the late Qing Dynasty. His Teng Hua Ting Qu is the embodiment of restoring traditional opera art to the refinement of formal literary field, that is, its value is of great importance to the manners and morals of the time; in the aspect of diction, it should be implicit and graceful, never be philistine; the story can be made up only if it is relevant to the ethics and life logic, the standard of the plot's setting must be based on 'unexpected'. Under the cultural background of the late feudal society, the opera theory's composing space became narrower and narrower, restoration and integration were just the mainstream.