| 关于我国雕塑写意精神的研究 |
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| 引用本文： | 任凡凡. 关于我国雕塑写意精神的研究[J]. 山西大同大学学报(社会科学版), 2014, 0(2): 104-108 |
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| 作者姓名： | 任凡凡 |
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| 作者单位： | 山西大同大学美术学院,山西大同037009 |
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| 摘 要： | 写意精神是一种有民族特色的审美观。雕塑的写意精神是中国整体艺术审美特征的反映。从中国原始雕塑直至中国当代雕塑都体现着写意精神。中国的写意雕塑与西方写意雕塑相比较更注重感受,充分表达内心的情感。写意雕塑在当代的发展,有利于唤醒民族文化的自觉,探索具有民族特色的艺术之路。
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| 关 键 词： | 写意 精神性 审美 雕塑 |
A Study on Freehand Brushwork of Chinese Sculpture |
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| Ren Fan-fan. A Study on Freehand Brushwork of Chinese Sculpture[J]. Journal of Shanxi Datong University(Social Science Edition), 2014, 0(2): 104-108 |
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| Authors: | Ren Fan-fan |
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| Affiliation: | Ren Fan-fan (School of Arts, Shanxi Datong University, Datong Shanxi, 037009) |
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| Abstract: | Freehand brushwork is the reflection of our national spirits and aesthetics. The freehand brushwork of sculpture is an unique part of Chinese arts, which is reflected in sculptures from Chinese original to contemporary works. Compared with Western sculptures, Chinese sculpture are more emotional. Modem development of freehand brushwork sculptures is good to arouse the consciousness of national culture and explore a new way with Chinese characteristics. |
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| Keywords: | freehand brushwork spirit aesthetics sculpture |
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