| 论《周易》审美文化模式的创造 |
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| 引用本文： | 王向峰. 论《周易》审美文化模式的创造[J]. 辽宁大学学报(哲学社会科学版), 2003, 31(3): 2-9 |
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| 作者姓名： | 王向峰 |
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| 作者单位： | 辽宁大学文化传播学院,辽宁,沈阳,110036 |
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| 摘 要： | 《周易》的卦象是一个文化模式。它作为元美学的创造,向中国文化艺术的历史实践与思维过程推衍,形成了与易象模式具有同构性的审美文化模式,集中定点在具象的抽象、意象形象、阴阳和合的境界、言辞能指的无方性等层面上。把握这些模式的创造,是从审美文化源头上认识中国文学艺术的历史经验的关键所在。
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| 关 键 词： | 文化模式 抽象 意象 阴阳和合 无方性 |
| 文章编号： | 1002-3291(2003)03-0002-08 |
| 修稿时间： | 2003-02-05 |
On the Creation of Cultural Mode in The Book of Change |
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| WANG Xiang-feng. On the Creation of Cultural Mode in The Book of Change[J]. Jounal of Liaoning University(Philosophy and Social Sciences Edition), 2003, 31(3): 2-9 |
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| Authors: | WANG Xiang-feng |
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| Abstract: | A divinatory symbol in the Book of Change is a c ultural mode. Functioning as the creation of origin aesthetics, it develops towa rds the historical practice and the process of thinking in Chinese culture and a rt, and has aesthetically formed modes that are similar with those of the images in the Book of Change. The modes focus on the abstraction of concrete image s, the images, the harmonious state of yin and yang, and the extensibili ty of the signifiers of words and phrases. Grasping the creation of these modes is the key to the understanding of the historical experience in Chinese literatu re and art from the origin of aesthetic culture. |
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| Keywords: | cultural mode abstraction image the harmonious s tate of yin and yang extensibility |
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