| 爱的雏声性的缺席--陈衡哲作品新议 |
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| 引用本文： | 胡芳. 爱的雏声性的缺席--陈衡哲作品新议[J]. 广西师范学院学报（哲学社会科学版）, 2006, 27(2): 54-57 |
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| 作者姓名： | 胡芳 |
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| 作者单位： | 广西师范学院,中文学院,广西,南宁,530001 |
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| 摘 要： | 在“五四”时期新旧文化交替的大背景下,陈衡哲以横空出世的姿态登上了现代文坛,她挣脱心灵的镣铐,关注情爱世界;她对爱的歌唱,开创了现代女性文学的一个基本母题,有力地反叛了封建礼教。然而,这种反叛受时代及作家本人认识的限制,只发出了爱的雏声,而无性的出席。
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| 关 键 词： | 陈衡哲 情爱书写 性的缺席 |
| 文章编号： | 1002-5227(2006)02-0054-04 |
| 修稿时间： | 2005-12-26 |
New Voice of Love and Loss of Sex--New Perspective on Chen Heng - zhe's Works |
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| HU Fang. New Voice of Love and Loss of Sex--New Perspective on Chen Heng - zhe's Works[J]. Journal of Guangxi Teachers Education University, 2006, 27(2): 54-57 |
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| Authors: | HU Fang |
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| Abstract: | Under the great background of New Culture alternating with Old Culture during May 4th Movement,the first Chinese woman writer,Chen Heng-zhe arose in modern literature with brand new appearance.She cast off the yoke of soul,and paid great attention to the world of love.Every song for love is the basic theme in modern female literature,which strongly rebelled against the feudal code of ethics.Limited by the times and the writer herself,such rebel only produced a new voice of love,but lacked in sex. |
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