| 当代以“自由”为核心的美学建构之考察 |
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| 引用本文： | 阮学永.当代以“自由”为核心的美学建构之考察[J].新疆大学学报(社会科学版),2007,35(2):123-125. |
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| 作者姓名： | 阮学永 |
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| 作者单位： | 河南师范大学文学院 河南新乡453007 |
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| 摘 要： | 当代中国以自由为核心的美学建构大致可分为三种形态:以人的物质实践所取得的各种成果为"自由",为论证基础的高尔泰所代表的"自由"美学;以个体生命的自我实现为"自由",为论证尺度的潘知常所代表的生命美学;以中国传统审美精神提供的"自由"为基础,并在斯的时代条件下进行了重新建构的刘士林的澄明美学.
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| 关 键 词： | 当代美学 自由 思想基础 必然律 |
| 文章编号： | 1000-2820(2007)02-0123-03 |
| 修稿时间： | 2006年12月14 |
On "Freedom": the Core in Contemporary Chinese Aesthetic Configuration |
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| RUAN Xue-yong.On "Freedom": the Core in Contemporary Chinese Aesthetic Configuration[J].Journal of Xinjiang University,2007,35(2):123-125. |
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| Authors: | RUAN Xue-yong |
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| Abstract: | Contemporary Chinese Aesthetic Configuration with "Freedom" as the Core may be in three forms: the "liberal" aesthetics represented by Gao Ertai that is based on the fruits of material fulfillment,the life aesthetics represented by Pan Zhichang that is based on individual life self-expression,and the illuminant aesthetics represented by Liu Shilin that offers "free" foundations for traditional Chinese aesthetics and that undergoes re-configuration. |
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| Keywords: | contemporary aesthetics freedom the basis of thinking inevitability |
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