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我国戏剧表演观念的形成与拓展
引用本文:金粉. 我国戏剧表演观念的形成与拓展[J]. 延边大学学报, 2010, 0(6): 105-110
作者姓名:金粉
作者单位:延边大学艺术学院戏剧系,吉林延吉133002
摘    要:我国戏剧表演在众多表演工作者和理论家的不断研究与创作实践中逐渐形成了自己的表演观念。随着多元文化的发展和接受,表演观念呈现出以写实表演为发展主流、戏曲表演为发展特色、多样化表演为发展趋势的特点。戏剧的核心是表演艺术,而演员的表演受到表演观念的支配,并影响演员的表演创作实践。为了适应发展着的表演观念,强调演员的表演技巧,让演员掌握多样化的表演观念,必须注重与观众的交流。

关 键 词:我国戏剧  表演观念  表演艺术  形成与拓展

Formation and Development of the Viewpoints on Theater Performance in China
JIN Fen. Formation and Development of the Viewpoints on Theater Performance in China[J]. Journal of Yanbian University(Social Sciences), 2010, 0(6): 105-110
Authors:JIN Fen
Affiliation:JIN Fen (Dept. of Theater Performance, College of Fine Arts, Yanbian University, Yanji , Jilin , 133002, China)
Abstract:Specific viewpoints on theatre performance in China have formed with the continuous efforts of performers and scholars. It has been widely accepted that realist performance should be the main trend, drama performance must be featured and diversified performance would be popularized. Performing art is the core of theatre performance. Performers' viewpoints control their acting and creative spirits. The interaction with audiences is of great importance for performers to adapt to the development of the viewpoints, improve their acting skills and master various ideas of performing.
Keywords:theater performance in China  viewpoint on performing  performing art  formation and development
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