民间鼓吹乐艺人身份建构与认同

20世纪90年代，民族音乐学研究开始关注“人”作为个体的存在对民间音乐及其社会关系的价值和意义，学界研究民间鼓吹乐艺人大多围绕“乐种和乐社”，对个人身份认同的关注较少。以鼓吹乐艺人为例，分析转型期区域群体、专业技艺和管理体制等对民间鼓吹乐艺人身份建构与认同影响，从民间性、专业性与合法性（文化身份）的层面提出鼓吹乐艺人的身份建构与认同策略：加强区域群体对民间鼓吹乐艺人体认，从社会需求层面定位民间鼓吹乐艺人专业技艺发展方向，社会管理层应赋予民间鼓吹乐艺人文化身份。

The Identity Construction and Identification of the Non-official DrummerZHANG Li-li

Since the 1990s, ethnomusicological studies ha s begun to pay attention to the value and significance of human being as an individual to the understanding of folk music and its social relations. The present studies on the non-official drummer mainly focus on the understanding of music genres and music clubs , neglecting their personal identity. The paper intents to take the common drummer as an example and to analyze the impacts of the three elements, i.e., the regional group, the technical skill, and the management system on the identity construction and identification with the folk music player. It further points out the corresponding strategies from the aspects of folklore, professionalism and legitimacy , i.e., to strengthen the cognition of regional community on the drummers, to evaluate their professional skills from the social demand perspective, and to confirm their identity by the social management sectors.