| 两种文艺情场--魏晋之情与晚明之情 |
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| 引用本文： | 李杰. 两种文艺情场--魏晋之情与晚明之情[J]. 北方论丛, 2005, 0(3): 23-27 |
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| 作者姓名： | 李杰 |
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| 作者单位： | 复旦大学,中文系,上海,200433 |
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| 摘 要： | 在中国文艺史上有魏晋和晚明两个情场.由于二者哲学基础的不同,"情"的具体内涵又有所差别.两个情场,同中有异,异中有同.但二者皆本源于先秦老庄之学.
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| 关 键 词： | 生死之情 世俗之情 老庄 |
| 文章编号： | 1000-3541(2005)03-0023-05 |
| 修稿时间： | 2005-02-05 |
Two kinds of literary feeling field the feeling of the Wei Jin dynasty and the feeling of the late Ming dynasty |
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| LI Jie. Two kinds of literary feeling field the feeling of the Wei Jin dynasty and the feeling of the late Ming dynasty[J]. The Northern Forum, 2005, 0(3): 23-27 |
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| Authors: | LI Jie |
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| Abstract: | China is a country with plentiful feeling. There are two kinds of feeing field in our literary history: the feeling of the Wei Jin dynasty and the feeling of the late Ming dynasty. But because of the difference of philosophic basis, the concrete meaning of the "feeling"is also different. In spite of this, they both derive from the theory of Laozi and Zhuangzi before the Qin dynasty. This article inquires into the similarity and the difference of them in detail. |
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| Keywords: | the feeling of live and death the secular feeling Laozi and Zhuangzi |
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