| 从自然之景到心象之境——我对山水画创作的认识 |
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| 引用本文： | 方向军.从自然之景到心象之境——我对山水画创作的认识[J].兰州大学学报(社会科学版),2010,38(2). |
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| 作者姓名： | 方向军 |
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| 作者单位： | 苏州工艺美术职业技术学院装饰艺术系,江苏苏州,215014 |
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| 摘 要： | 中国山水画创作不是简单地图解自然和时代,必须遵循艺术法则、运用艺术手法把画家对自然、时代等的感受、思考和迁想妙得,融汇在具体的艺术形象中,使生动气韵鼓荡于其间,真正表现出感人的力量。因此,应自觉向传统艺术回归,自觉关注生活,同时汲取南顿与北渐精髓,打破地域局限,融合南北精神,完成从自然之景到心象之境的升华。
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| 关 键 词： | 山水画创作 南北交融 自然之景 心象之境 |
View of Landscape Painting Creation: From Natural Scenery to Mental Imagery |
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| FANG Xiang-jun.View of Landscape Painting Creation: From Natural Scenery to Mental Imagery[J].Journal of Lanzhor University(Social Sciences),2010,38(2). |
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| Authors: | FANG Xiang-jun |
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| Institution: | Suzhou Art & Design Technology Institute/a>;Suzhou 215014/a>;Jiangsu/a>;China |
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| Abstract: | Chinese landscape painting is not a simple illustration of temporal and cultural spirit.It artistically reveals the writer's feeling,meditation and insight of nature and life on the artistic principle.It is mingled in a variety of impressive images full of life and emotion.Therefore,the paper promotes a conscious revival of traditional art,a serious concern of the life and a unity of the artistic styles of the South and North China by assimilating the essence of immediate intuition(Nandun) and gradual enlig... |
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| Keywords: | landscape painting south and north style blending natural scenery mental imagery |
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