Politics and Facets of Identity: Changing Lenses in Gaston Kaboré's Cinema

In spite of the resurgence of interest in the re-examination of the concept of identity, the shaping of multiple identities can benefit from interdisciplinary scholarly efforts and artistic insights. Based on a diagnostic political reading of cinematic text and an interview with the artist, this article draws some conclusions on the shaping of multiple identities. Following a conceptual scheme of characteristic locations of identity in a postcolonial setting, the study identifies four political forms of identity - the global, the cultural, the ideological/political and the individual. Those different facets are configured through ideological and discourse analyses of three cinematic texts and the declared intentions of Burkinabe filmmaker Gaston Kaboré.